Question 1

What is the “hanging for the door of the tent” in this passage?

Accepted Answer

The “hanging for the door of the tent” is the curtain that covered the entrance on the east side of the tabernacle. It was made from fine linen, colored blue, purple, and scarlet, and decorated with needlework. This curtain served as the doorway into the holy place, where only the priests could go in to serve. It was not a solid door with locks or bars, but a fabric covering that marked off God’s holy place from the area where the people stood and worshiped outside.

Question 2

How was this entrance curtain different from the inner veil?

Accepted Answer

The entrance curtain and the inner veil were both made from blue, purple, and scarlet yarn and fine linen, but they did not serve the same purpose. The inner veil separated the holy place from the most holy place and kept everyone from seeing or entering where the ark and mercy seat were. Only the high priest could go beyond that veil, and only at certain times. The entrance curtain, however, marked the doorway into the holy place, where the regular priests went in daily to minister, while the people stayed outside.

Question 3

Why did God tell them to use five pillars of shittim wood for the hanging?

Accepted Answer

The five pillars of shittim (acacia) wood held up the entrance curtain at the front of the tabernacle. They stood across the width of the entrance, with one at each side and three spaced between, so the curtain could hang properly and form a clear doorway. The tops and bands of these pillars were overlaid with gold, and the hooks that held the curtain were gold too. The pillars rested in five bronze sockets, giving a solid base. This careful design showed order and respect in how God’s house was set up.

Question 4

What is the meaning of the blue, purple, and scarlet colors in the curtain?

Accepted Answer

The passage simply states that the curtain for the door of the tent was made of blue, purple, and scarlet, along with fine twined linen, worked with needlework. These same colors appear in other parts of the tabernacle, so they clearly belonged to God’s chosen pattern for his dwelling place. The text does not spell out the meaning of each color, but the use of rich colors and fine linen shows that the entrance into God’s presence was marked by beauty, care, and honor, not by something common or carelessly made.

Question 5

Why were the sockets for these pillars made of bronze and not silver?

Accepted Answer

The pillars that held the inner veil rested on silver sockets, while the pillars for the entrance curtain stood on bronze sockets. The passage itself does not explain why this difference is made, but it does point out that the inner veil guarded the way into the most holy place, where God’s presence was shown in a special way, while the entrance curtain opened into the holy place where priests served. The different metals underline that the inner area was more hidden and set apart, while the entrance, though still holy, was one step further out.

Question 6

Who was allowed to pass through the curtain at the tabernacle door?

Accepted Answer

Through this entrance curtain the priests went in every day to do their work in the holy place. They tended the lampstand, arranged the bread on the table, and burned incense. The people, however, did not go through this curtain. They stayed outside in the area before the tent. So the curtain marked a line between the common worship area and the space where the priests served God on behalf of the people. It showed both access, because the priests could go in, and distance, because the people could not enter.

Question 7

Why did God leave the tabernacle protected only by a curtain and not by doors?

Accepted Answer

The entrance of the tabernacle was covered only by this hanging curtain, which could be easily moved aside and could not be locked or barred. There was great wealth inside the tabernacle, yet God did not order heavy gates. This meant the priests and Levites had to watch carefully over it. It also showed that God himself was the true protector of his house. Even though the tabernacle looked weak and easy to enter, God could make a simple curtain as safe as strong gates, showing his care for his people and his worship.

Question 8

What does this passage show about God’s care for how he is worshiped?

Accepted Answer

This passage shows that God cares about details in worship. He gives exact instructions about the fabric, colors, number of pillars, use of gold, and bronze bases. The entrance to his house was not left to guesswork or personal taste. By giving such clear directions, God taught Israel that coming near to him is not casual. The holy place, where priests served, was marked off from the people by a curtain he himself designed. It reminds us that God is holy and that he has the right to say how he is to be approached.

Question 9

How was the curtain at the tabernacle door made and decorated?

Accepted Answer

The curtain was made of fine twined linen, colored blue, purple, and scarlet. It was “wrought with needlework,” which means it was decorated by needle, so the pattern would be seen on one side. This is different from woven designs that show on both sides. The curtain hung on gold hooks fixed to the five gold-covered pillars and could be drawn back when the priests went in. The careful work and rich materials showed that even the doorway into God’s house was to be treated with honor and skill, not done in a rough or cheap way.

Question 10

How can this passage about the tabernacle entrance help believers think about worship today?

Accepted Answer

This passage shows that God’s people did not approach him in a careless way. There was a clear line between the outer area where the people stood and the inner place where the priests served. The entrance curtain, with its colors and careful work, reminded them that God is holy and that coming near to him is a serious thing. For believers today, this can encourage a heart of respect when gathering to worship: God still deserves honor, care, and attention in how we meet, pray, and listen to his word, even if our buildings and forms are different.

Exodus 26:36

And thou shalt make an hanging for the door of the tent, of blue, and purple, and scarlet, and fine twined linen, wrought with needlework.

The Curtain for the Entrance

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Exodus 26:36

And thou shalt make an hanging for the door of the tent, of blue, and purple, and scarlet, and fine twined linen, wrought with needlework.

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The Curtain for the Entrance

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